neret gilles henri de toulouse lautrec
Henri de Toulouse-Lautrec (1864-1901), scion of an ancient aristocratic family, was a crippled dwarf. His family's wealth gave him financial security, and he chose to become an artist. In Paris he was drawn to the world of the red-light district around Montmartre. In the cafes, cabarets, dance halls and brothels he observed "the theatre of life", viewing this world not from the moralising standpoint of the 19th-century bourgeoisie, but with the eyes of one for whom all inhibitions had long since vanished. Lautrec recorded what he saw without the arrogance of a social superior, but also without "spurious pity - like a reporter with a "photographic paintbrush". He transferred his observations to paper and canvas with sensitive understanding and a sharp eye, creating the real atmosphere and live character studies of a world where middle-class morals do not count, in which elegance and baseness mix, as do the ingenuous and the sinful. Lautrec had the gift of painting life as it is. No one else has captured the entertainment world of the belle epoque in so unadulterated, so masterful and so timelessly true a manner as did Lautrec in his paintings, lithographs and posters. This monograph sets out to examine the close relations between Lautrec's work and life. It thereby offers the reader a lively impression of Lautrec's art, and at the same time provides an understanding of his private life and of the magnificent Paris of the belle epoque. About the editor: Ingo F. Walther (1940-2007) was born in Berlin and studied medieval studies, literature, and art history in Frankfurt am Main and Munich. He has published numerous books on the art of the Middle Ages and of the 19th and 20th centuries. Walther's many titles for TASCHEN include Picasso, Art of the 20th Century, and Codices Illustres. About the author: Gilles Neret (1933-2005) was an art historian, journalist, writer and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'CEil and Connaissance des Arts and received the Elie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dali: The Paintings, Matisse, and Erotica Universalis. Издание на английском языке.
